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y ^ y 03:18


“Am I to conceal from you,” he said in a low tone, “that my own brother, as a result of a long and incurable illness, has been gradually transformed into a bundle vo rubber tubing, and that my poor cousin had to carry him day and night on his cushion, singing to the luckless creature endless lullabies on winter nights? Can there be anything sadder than a human being changed into the rubber tube of an enema? What disappointment for his parents, what confusion for their feelings, what frustration of the hopes centred around the promising youth!”

BRUNO SCHULZ, The Street of Crocodiles (1934)

In official art we have always the affirmative glorification of the result, but in a militant art we have something which is much closer to the process, closer to something that does not exist, near something that is a real witness and so something uncertain. And so, that sort of hesitation, which is inside the process, is also a formal necessity. This is why in militant art we cannot have the glorification of the form. We must have the form itself. It is a translation of the uncertainty of the process.

ALAIN BADIOU, “Does the notion of activist art still have meaning?” (2010)


released November 22, 2018

recorded in 2016 and 2018
thanks to Kees Tazelaar, Marko Uzunovski and the Institute of Sonology


all rights reserved



FURT London, UK

FURT is the electronic composition/performance duo formed by Richard Barrett and Paul Obermayer in London in 1986. FURT’s dense and intricate musical forms are produced at every level by an interpenetration between free improvisation and systematic composition ... more

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